Friday, 29 May 2015

Studio Workshops - Claire Seville

We were lucky enough in November last year to have a Workshop with the lovely Claire Seville.  

Some of the advice that Claire gave us was invaluable.

Claire told us that it’s a good idea to pay for a model, as a professional model will know what they are doing compared to getting family and friends to pose.  It is their job, and therefore they know how to work.  Working with a MUA (make up artist) is also essential. 

Claire usually works with a 1 lighting set up – 1 light, simple lighting, and 1 beauty dish.  You can use an extra light if you want but set it quite low.

You can also use a mixture of flash and ambient light (natural light i.e. light from a window).  You can also make use of a slow shutter speed but in this situation the model will need to stay still for quite some time.

When deciding on backgrounds for your shoot its worthwhile looking around jumble sales, markets (the Birmingham Rag Market is a good place to look), charity shops sometimes have some good bargains.  (You can look in charity shops for outfits and accessories that you may use in future shoots.)  It might be worth looking in Pound shops after Halloween, Easter, and Christmas etc., when they might be selling items off cheaper. 

A grey background is a good background to use, as it is easily changed in Photoshop. 

When doing a beauty photo-shoot part of your essential equipment will be a beauty dish, colour gels, and barn doors.

When doing a shoot it is essential to have fun.

Claire told us of places that she uses: -

Planet Sputnik – an American atomic bungalow (the owner has shipped in all the original features of this bungalow). 

Claire has worked with Romanie Smith & Masuimi Max (Iamsin.com).

Claire also mentioned using the following as location shoots/studio spaces: -

The Flash Centre – Aston http://www.theflashcentre.com

To source models for shoots it is worth looking at Model Mayhem http://www.modelmayhem.com

Facebook is also another good source for models and MUA’s, as is Instagram. 

It is always worth looking at a model’s portfolio to see is the model is going to work well with your photo-shoot. 

When working with a model, they may accept images taken from the shoot as a way of paying for their time (these can be added to their portfolio)(this may be supplemental to a cash payment).

Another way to check a model’s portfolio is through Facebook, Instagram, and Pinterest.

The model that we would be using for our Beauty photo-shoot would be Constance Peach, and the MUA would be Louise.

After we had our introduction talk with Claire Seville we were given the chance to take our own shots of the model, Constance Peach.  Constance had been dressed in a tribal style, and she was wearing a gold tiger print dress, wild blonde hair, and a headdress made out of large feathers (pheasant/grouse). 

We took it in turns to do our shoot. 

We didn’t use a light meter or deal with lighting ratios in this photo shoot  (I am still trying to get my head around this).

I was using my Nikon D7000 camera, with my 40mm lens.  The settings on my camera were Manual setting, F8, 1/125 sec., ISO 100, and WB on flash.

It was suggested that we might want to use a zoom lens but I decided that I really needed to start getting used to getting up close and personal with the models, and not to be afraid of getting in close.  The beauty dish was quite high in order that we could get under, and it was set at a 40 degree angle facing down onto the model.  The barn door light was placed behind the model in order to create flare around the model’s head.  To start off with I used the barn door light without a gel, but after several shots I decided that I wanted to add a coloured gel.  I chose a yellow gel, as I thought that as the model was in gold, and the colours of the feathers were brown, it was quite autumnal, and the yellow gel would enhance this.

The model was a dream to work with, as I didn’t have to give her any directions (something I need to get confident with), and she made the whole shoot very easy.

I did try shooting from different angles, and used the steps to try and get up above the model to get a high angle. 

From some angles I have gotten a bit of the backdrop stand in, or an edge of a wall, but these can be edited in Photoshop.

I did manage to take 31 images, so I did have a varied selection to choose from.
















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